AnalogSenses

By ÁLVARO SERRANO

The depressing rise of Squiggletecture →

March 03, 2015 |

Mikael Colville-Andersen takes the NEP Bridge competition to the woodshed:

What is up with these squiggles?! It’s perfectly fine to think out of the box. Not much gets accomplished if you don’t. But there is a clear, and perhaps, disturbing trend which I have hereby dubbed Squiggletecture. There is an alarming number of renderings that have discarded straight lines.

What is a bridge? Isn’t it just a vital mobility link from one side of a body of water to another? Isn’t that really the baseline for every decent bridge in history? Look at a map of Paris or any other city with bridges. They are straight. From one shore to the other. Providing no-nonsense A to B for the people using it. Only then do differences in design and aesthetics come into play.

Look at the selection of designs, above. A2Bism had a cement block chained to its feet and it was thrown into the river. It’s sleeping with the fishes.

I’ve long been a skeptic of modern architectural design. Every time an architect starts thinking outside the box, I tremble in fear. Some of these bridge designs are so unbelievably awful that they even cross the line into technical incompetence:

The ramps. Seriously. Look at all those squiggletecture ramps. Round and round we go, slowly descending to the river bank like a flower petal on a summer breeze. Not exactly what any human in a city wants, now is it? Then look at some of those sharp turns on the bicycle ramps. Best Practice for grade and curves on bicycle infrastructure has been around for almost a century. Would it have hurt to spend a little while on Google? Or on a bicycle? Unbelievable.

Unbelievable, indeed.

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Federico Viticci’s Life After Cancer →

March 03, 2015 |

Federico Viticci tells the story of his incredible, life-altering experience of dealing with cancer at a young age, and how the iPhone is helping him adopt a healthy lifestyle.

There are iPhones and iPads and many other devices in the article but more than anything, this is a story about life, and how nothing should be taken for granted.

If you can only read one thing today, let it be this.

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Michael Fraser goes to Italy →

March 02, 2015 |

Great trip, gorgeous photographs:

For this trip, I decided to pack three cameras and three lenses:

  1. The Leica M-E with the Canon 50 f/1.4,
  2. The Leica MP with the Voigtlander Nokton 35 f/1.4, and
  3. The Hasselblad 500c/m with the Zeiss 80 f/2.8 CF Planar

Michael makes a very compelling case that film and digital should’t be mutually exclusive. If you can enjoy both formats for what they are, theres’s really no reason to limit yourself to one of them.

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‘Bicycle Diaries’, by David Byrne →

March 02, 2015 |

I came across this book while doing some research for a bicycle-related photography project I’m dreaming up for the next few months. From the official website:

Since the early 1980s, David has been riding a bike as his principal means of transportation in New York City. Two decades ago, he discovered folding bikes and started taking them with him when travelling around the world. DB’s choice was initially made out of convenience rather than political motivation, but the more cities he saw from his bicycle, the more he became hooked on this mode of transport and the sense of liberation, exhilaration, and connection it provided. This point of view, from his bike seat, became his panoramic window on urban life, a magical way of opening one’s eyes to the inner workings and rhythms of a city’s geography and population.

I ordered it on Amazon as soon as I read that. I have a feeling this is going to be a great read. Stay tuned for more detailed commentary; I’ll probably have a lot to say when I’m done reading it.

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Apple’s ‘Shot on iPhone 6’ photo gallery →

March 02, 2015 |

You’ve probably seen this already, especially considering that John Gruber linked to it and even Tim Cook himself tweeted about it, but I had to post it anyway. This is an amazing photo gallery of pictures shot exclusively on the new iPhone 6.

Some of these are so good that it’s hard to believe they came out of a smartphone camera, but the great thing about them is not that they’re technically great pictures, but that they’re creatively amazing as well.

It’s good to know that the iPhone 6 camera is technically impressive, but no amount of camera gear will ever be able to replace a photographer’s creativity and artistic vision. Apple’s gallery does a fantastic job of telling that story.

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‘Dress Color’ by xkcd →

February 27, 2015 |

For the past 24 hours, the entire Internet has been up in arms over a dress. More specifically, over the color of a dress. I kid you not. Here’s the offending image:

Apparently, about half the people on the Internet look at that image and swear — swear, I tell you — that the dress is white and gold. The other half, however, are just as passionate when they claim the dress is blue and black. Whatever camp you’re in, something is off. Clearly the Internet loves a heated discussion, but how can this be? Luckily, xkcd has the answer to this puzzling enigma:

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After enjoying quite a few delicious drams of The Balvenie DoubleWood Aged 12 Years, I’m starting to realize I’m a big fan of sherry-finished whiskies. The extra couple years of maturation in sherry oak casks give them a nice mellow finish that is really interesting, and I find I much prefer them to rougher single malts such as Glenfiddich 12.

This is perhaps the first real pattern I’ve come to discover in my journey of exploration so far, and it’s very encouraging. To be perfectly honest, at the beginning I was more than a bit worried I wouldn’t be able to appreciate the subtle variations between different drams but so far, I have yet to find a single malt without a well defined personality.

Now that I’ve managed to establish my love for sherry-finished whiskies, it’s time to step it up a notch and try a full sherry oak single malt, and what better way to do it than with the name that is perhaps the most coveted and recognized in the world of Scotch whisky: The Macallan.

This particular denomination, The Macallan 10 Year Old Sherry Oak, is the youngest of them all, and it used to be a staple in the company’s portfolio until it was discontinued a couple years ago. This seems to be a recurring theme, with both the 12 Year Old and 18 Year Old Sherry Oak denominations becoming harder and harder to find in recent months.

The Macallan distillery

Founded in 1824 by Alexander Reid and located in the village of Craigellachie, The Macallan is one of the oldest and most renowned distilleries in Scotland. The spiritual home of the Macallan brand is the Easter Elchies House, a gorgeous Highland mansion built for Captain John Grant in 1700.

Traditionally considered a Speyside single malt, The Macallan now labels their bottles as Highland single malt whisky, following a change in regulation that stopped including Craigellachie in the Speyside region in 2009.

Later that year, The Macallan overtook Glenfiddich to become the second largest-selling single malt in the world by volume, trailing only Glenlivet. It is indeed one of the most valuable brands in the world of whisky, and it’s always enjoyed a stellar reputation among whisky connoisseurs.

Easter Elchies House, the spiritual home of The Macallan since 1700. Photo credit: The Macallan.

According to their own website, The Macallan distillery uses “the smallest stills on Speyside”. These small stills apparently give their whisky some of those rich, fruity flavors so commonly associated with The Macallan.

The Macallan whiskies used to be exclusively matured in sherry oak casks, but in 2004 they introduced the Fine Oak series, which uses bourbon oak casks instead. The original Sherry Oak series is what gave The Macallan most of its fame, but the newer Fine Oak series has been generally well received by critics as well. Nowadays, both series have been discontinued, with the new 1824 series replacing them in most markets.

Easter Elchies House in the snow. Photo credit: The Macallan.

In general, The Macallan is moving away from having explicit age denominations in their collection, effectively leading a trend that is already becoming the new normal among some of the most established distilleries in Scotland.

Personally, I’m a fan of age denominations, although I realize there’s not much science to support this belief. By all accounts, all denominations in the new 1824 series are excellent single malts, but there’s still something about not having an explicit age denomination that rubs me the wrong way, for whatever reason.

The Macallan 10 Year Old Sherry Oak

Simply put, this is a whisky like no other I’ve tried before. It’s matured exclusively in sherry oak casks brought to Scotland all the way from Jerez, Spain, a city made famous by its sherry production. Compared to sherry-finished whiskies like the Glenmorangie Lasanta and The Balvenie DoubleWood, The Macallan is decidedly darker, and I’d rate it between a 1.6 (mahogany, henna) and a 1.7 (burnt umber) on the Whisky Magazine color chart:

Click or tap on the chart to view it full-size.

The presentation is extremely elegant and classy, just like the rest of their lineup, and adds to the overall sense of luxury that the brand so effortlessly exudes.

The Macallan 10 Year Old Sherry Oak. Photo credit: The Macallan.

The nose

It’s just fantastic. I’ve spent 2 good hours just smelling it while typing the beginning of this article, and I just can’t get enough of it. Caramel and honey are almost impossible to miss, but there’s a good bit of complexity here, too. Fresh oranges are also in there somewhere, along with a hint of nuts. It’s incredibly well balanced and in this case, the total is way more than the sum of its parts. I love it.

The palate

I’ve never tried a whisky as silky and smooth as this one. It just caresses you on the way down. It’s perhaps a bit less complex here than in the nose, but it retains the same charm and wonderful personality. An easy drinker, for sure.

The Macallan 10 Year Old Sherry Oak is bottled at 40%, so water should be used sparingly, if at all. I honestly don’t think adding more than a couple drops will do you any favors, and you run a significant risk of drowning it. Just take your time and enjoy it as-is. It’s well worth it.

Here, the initial fruitiness is dominated by the same orange notes as in the nose, but they’re soon eclipsed by some wood and a tiny bit of spice. No trace of peat in this one, at least not that I could see.

I couldn’t find an “official” review, since this particular denomination has been discontinued, but the folks at Master of Malt say that “there are notes of walnut and salty melted butter. Hints of fudge and crème anglaise.” I don’t know about crème anglaise — my culinary culture is not that refined, I’m afraid — but I’d say the rest of it sounds about right. Butter is definitely not the first thing I would have mentioned, but I suppose I can see it if I try really hard. Anyway, choose whatever descriptive terms you see fit, but know that at the end of the day, this is a mighty fine whisky.

The finish

It’s very pleasant, but a bit shorter than I’d like. The same wonderful honey accents I noticed in the nose — but were conspicuously absent in the palate — reappear here, and stay at the back of my throat for a little while. However, as nice and mellow as the finish is, my eagerness to take another sip is always stronger than my desire to enjoy the aftertaste. Is that a bad thing? Not in my book.

Perfect for

It really is too bad Macallan decided to discontinue the 10 Year Old Sherry Oak, because this wonderful single malt punches well above its weight. Normally, younger whiskies like this one are preferred in socially relaxed atmospheres like pubs, but The Macallan follows its own set of rules. This single malt would feel right at home in the most select venues, be it in the Casino in Monte Carlo or in Piazza San Marco in Venice, but it also makes for the perfect evening sipper on a nice spring day in your local watering hole. Perhaps that’s the key to The Macallan’s success: attainable luxury with impeccable credentials and flawless execution for the discerning customer. Sounds like a winner to me.

Final Words

The Macallan 10 Year Old Sherry Oak used to be the perfect entry into the single malt world because its price vs. quality ratio was simply unmatched by anything else in the industry. Back in the day, bottles of this whisky used to go for about $40 a piece but now that it’s discontinued, prices have gone up considerably. If you can get ahold of a bottle at a reasonable price, just go for it. You won’t regret it.

If this single malt was still widely available, it could very well challenge The Balvenie DoubleWood as my social drink of choice. Unfortunately though, the chances of finding it in the wild today are pretty much nonexistent, so you’ll have to look elsewhere for your social enjoyment.

Disappointingly, the current Macallan Amber, which also claims to be matured exclusively in sherry oak casks, is nowhere near as mellow and well-wounded as the 10 Year Old Sherry Oak. I find it to be a lot rougher around the edges, and not to my taste at all. Therefore and until I find a proper replacement, The Balvenie DoubleWood Aged 12 Years will continue to be my go-to single malt for late night drinking and socializing with friends.

The worse thing about this whisky is that after trying it, I’m just incredibly curious about The Macallan 18 Year Old Sherry Oak, the crown jewel and the most iconic denomination in The Macallan’s range. But I’m getting way ahead of myself here.

The Macallan 18 Year Old is big game, and I must finish my journey through the rest of the younger single malts first. Patience is key but rest assured, dear reader, we’ll get there soon enough.

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Matt Gemmell on permalinks →

February 25, 2015 |

Matt Gemmell:

We’re all familiar with those URLs. The date of the post is explicit, so you need never wonder when it was written, or how recent it is.

Here’s the thing, though: they’re horrible.

Lots of interesting points and solid advice in this piece. Well worth your consideration.

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Top ten ways to hate on pedestrians →

February 25, 2015 |

Mikael Colville-Andersen is on a roll:

4. Criminalize Walking
With simple legislation your community, too, can clamp down on humans moving unaided by fossil fuels through your paradisical motorised world. Follow the lead of this New Jersey town and ban texting while walking and reduce exponentially the irritating dents caused by human bones striking the smooth, elegant paint jobs of your citizens’ cars. If only we had thought of this back when people walked around reading newspapers in cities. Damn.

At the same time, you can go all Spanish on your population’s asses and ban Drunk Walking. Laugh in the face of those who suggest restricting cars or lowering speed limits in densely-populated nightlife districts and keep your police force fresh and battle-ready by enforcing this sensible law.

Looking at the bright side: if they ever do ban drunk walking, our only legal option will be to just stay in the bar forever.

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